He deliberates ‘what dining table defines me as a person?’ as he flicks through the ‘pornography’ of his Ikea collection. His feelings of estrangement and aloneness add to the inadequate, unbridled consumerist society that has failed him. As Tyler declares, ‘we’ve all been raised on television to believe that one day we’d all be millionaires. The forever out-of-reach ideal that every young, white, male American of his age had been led to imagine was his due the high-powered job, the apartment, the money, the girls, the clothes - the film-star lifestyle, had all been reneged upon. It seems that the narrator’s cynicism can be related with the miss-sold American Dream. Ultimately, this triggers him to hope for liberation liberty he feels can be attained through death in a plane crash. His mundane job, living situation, and his ‘single-serving’ life, compound the overriding feeling of meaninglessness. To get a more in-depth assessment I will also be drawing on the concepts of Carl Gustav Jung and Jacques Lacan in this investigation.įirstly, the essence of the narrator’s disappointment with life stems from a sense of emptiness and futility. I will examine character as well as explore the society that beholds it and its origins. To understand the theory of id, ego, superego, this essay analyzes the main protagonists of David Fincher’s film adaptation of Chuck Palahniuk’s Fight Club (1998). Freud states that human behavior is a creation of an inner conflict taking place within the ‘unconscious,’ which is ‘the belief of ‘repressed desires, feelings, memories, and instinctual drives’. In his thesis, ‘Beyond the Pleasure Principle,’ Freud illustrates psychoanalysis as ‘the first and foremost art of interpretation.’ Which is concealed within the ‘unconscious’ of the human mind. Initially founded by Sigmund Freud in the late nineteenth century, psychoanalysis introduced a whole new perception of the human mind, forming both ground-breaking and controversial theories.
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